Subdecay Super Spring Theory, Reverb

The external changes and benefits of new features are obvious, but what you don’t see are the internal improvements. The original Spring Theory was simple with the DSP chip doing most of the heavy lifting. The analog portion of the pedal was just enough to get sound from the input to the output. This wasn’t an afterthought. Simplicity was the goal (and occasionally a virtue some accuse us of not appreciating.)

When time came for the next evolution I paid extra attention the analog mojo. The preamp was completely redesigned. The reverb send and return use Jfet amplifiers which perform similarly to vacuum tubes, but without requiring things like a 250 volt power supply or a not-so-pedalboard-friendly sized enclosure. These changes really brought new depth and dimension to the effect, especially on the spring setting.