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In creative collaboration, harpist Emily Hopkins and experimental effects makers Old Blood Noise Endeavours are proud to announce Parting, a new musical device featuring a curated suite of effects inspired by their favourite glitch, signal-crushing, and ambient sounds.
One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises.
Main Features:
Glitch Delay/Reverb Crushing Modulation Device
Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing
Aux footswitch for tap tempo, half clock speed, or preset switching
Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal
Analog Dry-Through
Expression and MIDI control over all parameters
MIDI clock I/O for external tempo syncing
Onboard Presets, plus control via MIDI
Selectable Buffered Trails or True Bypass modes
Top-mounted Jacks and Soft-Touch Switching
Hand-made in Oklahoma, USA
Available in 3 Colourways - Green (standard), Purple and Stone
Powered by (opt.) 9 V DC PSU
(centre -, 2.1 mm, ~ 350 mA current draw, not included)
Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and,
most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
