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The Afterneath resembles its sound – a wizard emerging from an ethereal cave, primed for an ambient battle. You are that wizard, or sorceress if you prefer, and the cave represents the vast, expansive, and magical signal of your instrument. Will you enter? Roll a D20 to decide!
Inside, you're drawn to a light reflection from an indeterminate source, revealing a strange luster on the cave's walls. Approaching cautiously, you touch the cavern wall and feel it shift beneath your hand – the cave is animate! A sharp intake of breath echoes loudly, filling the underground expanse. Listening closely, you realize the echoes are actually a multitude of short digital delays, which can be manipulated to produce vast, cavernous reverbs or a scattering of brief, rhythmic delays with peculiar traits.
The Modes control changes the way the Drag control functions. The LED will change colors indicating which mode you are in.
1. Unquantized: Smooth, unquantized response over the operating range
2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or cv changes, but then quickly catch up.
3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.
4. Chromatic Scale: Quantized 1v/octave to the chromatic scale
5. Minor Scale: Quantized 1v/octave to the minor scale
6. Major Scale (Lydian): Quantized 1v/octave to the major scale (Lydian)
7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale
8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths
9. Octaves: Quantized 1v/octave to omit all but octaves
