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The newest version of our Naga Viper fixes this problem by adding an attenuator knob. This control acts like a level control for everything in front of the Naga Viper, letting you shave some heat from the incoming signal before it runs through the proverbial gears of the booster. This leads to less saturation, undesirable effects, and more treble-boosting goodness in your amp.The transistor in the Naga Viper has also been replaced and the circuit tastefully reworked to accommodate players of all stripes. Some players will leave the Attenuate control up, and this design choice is for them. By swapping out the transistor, the Naga Viper is even hotter, with extended ranges for both Heat and Boost controls. Diming both controls now gives a slight edge compared to V1, opening up the range of the attenuator as well.Though the actual production number of the Rangemaster is unknown, the consensus is that not many were ever manufactured. While the majority of those released contained the same value for the boost potentiometer, some much rarer versions purportedly contained a different value that is said to make the tone hotter and a touch "gainer". We agree, and our newest version contains that uncommon value to extract a little "more" from this circuit.None of the legendary Rangemaster players had many controls to work with, so we’ve reconfigured the circuit with that ethos in mind. The knobs on the Naga Viper aren’t there for constant twiddling, just set it up how it works for you once, then leave it alone and play that thang!
HEAT
You can think of this as the Naga Viper’s gain knob. When it’s down, you get that classic treble booster response, that is to say, a slightly dirty boost, and rolling this control up intensifies the grit until it’s a drive unit unto itself. Ata minimum, the stock treble booster profile sounds it's best running into an already overdriven amp, but increasing the Heat softens that and adapts the Naga Viper to work better with clean amps
RANGE
This controls the amount of bass frequencies let into the booster. Historically, the input and output capacitors of the treble booster are tiny, which lets in very few bass frequencies and less overall gain. You can find this setting with the knob maxed. As you roll this control down, more and more bass is let into the circuit and the range is thus increased. With the Range down, you experience a full-frequency booster that also increases the level of gain.
BOOST
This sets the output level of the Naga Viper. According to ancient pedal texts, the classic Rangemaster design is dependent on a certain value in this position, but a small number of outliers found their way into recording studios with a value that made the circuit “a little hotter.” We have elected to use this rarer value to up the output significantly to give you more from even the most stubborn amps. When turning this knob, it is normal to hear a whooshing sound; the originals also did this, and who are we to stand in the way of tradition?
ATTN
Short for attenuation. The treble booster is a simple, straightforward circuit; it boosts what you give it. But because the originals were designed to run as a guitarist’s only effect, they don’t really take other gain devices as well as they could. As such, vital notes of the treble boost’s flavour can be easily lost in modern pedal setups, with some guitarists running one or more “always-on” devices. This control lets you tame the incoming signal down to a lower volume, which gives the circuit a little room to breathe before it does its thing.
You can use a variety of power sources to power your Naga Viper. It supports standard DC power supplies from 9 to 18 volts or a 9V battery. Do not give the Naga Viper AC or a centre-positive supply, you will void the warranty. Bad move.
