Indeed, it is digital. What are the artifacts of outdated technologies that hold value in music? Why not devise a pedal that deliberately incorporates technological constraints seldom exploited by musicians?

Technology represents the hopeful advance through the barriers of current paradigms: limitations of materials, processes, functionality, cost, and foresight. With each technological breakthrough, the constraints of predecessors are overcome. Yet, often, a host of new problems arise that the market temporarily tolerates. Eventually, the market seeks improvement, ready to forsake the old for next-generation solutions.

Thus, I pondered, "What are the remnants of bygone technologies that possess worth in music? If David Byrne can artistically employ PowerPoint, why can't we create a pedal that purposefully adopts technological restrictions not broadly used by musicians?"